Tag: non-equity

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Not Enough Foward Motion

I did not get accepted to 2010 Atlanta Unifieds. This year, the number of applications forced the Atlanta Coalition of Performing Arts to add a third day to the normally two day event.

I received my rejection letter this week. The letter stated:

“An independent panel of representatives from the theatre community screens all non-Equity applications…. The Selection Committee’s mandate is to select a group of professional and emerging actors who demonstrate a record of professional growth.”

I was rejected because “The committee believes there is not enough forward motion to receive new credits”. I don’t know what the “credits” are. Maybe part of the rating process. I have enough stage credits to meet initial qualifications; for non-Equity applicants, a minimum of 7 stage production. The resume I mailed showed 11, a partial list.

My resume is nothing but non-Equity productions. I read somewhere in an acting as profession book about being too heavy in this type of work. The perception is that too much of one type of work shows that you are not able to do other type of work, in this case Equity work. Perception.

Perception is a double-edged sword and a bitch to recover from if it is bad. So, what to do about this. I was rejected because the perception was that I am not advancing in my career to be worthy of being seen at the Unifieds. Not even for as an alternate. I am not a professional. I am not an emerging actor.

I did not receive any calls from the 2009 Unifieds. I did from the 2008 Unifieds. I was given two opportunities to impress people and I have failed. What to do about this?

First: rearrange my resume. Put emphasis on other areas.

Second: I need to get some references, some nice quotes, tag lines, sound bites from directors, casting directors, coaches and peers that I can put in a cover letter and on this website.

Third: It’s time for another mass mailing of this new resume with new cover letter.

If the perception is not an accurate reflection of who I am, then I need to do something about it. Now it is time to shower, I have an audition in a few hours.

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Finally, a slot at the Unifieds

The Unifieds are is an open audition each year in Atlanta, hosted by the Atlanta Coalition of Performing Arts. There are 50 plus theatre companies in Atlanta and the South East. It is open to Actors and Singers who are Equity, Non-Equity and Students.

I am non-Equity. So I had to have at least 7 stage plays to qualify. This year I have enough. Two years back, although I did not qualify, I might have received a slot due to lack of applicants. Don’t know that for sure.

Last year, I did apply but was rejected for not having enough stage plays. This year, I did qualify and I was accepted.

The Unifieds are two days worth of actors doing 2 contrasting monologues or 1 monologue and 16 bars of accompanied music. Each actor has 2 minuets.

I am on the second day in the afternoon.

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Callback and a Play

I received a call from Candy Spahr on my way home from work on Friday. She offered me a callback for Anne of Avonlea. The callbacks have been moved to Monday at 5 PM. This was interesting because as far as I knew, there were more auditions to be held on Saturday. But as I stated before, I was the only adult male to audition on Thursday night.

On Saturday, I received a call from the Artistic Director, IJ Rosenblum, at Button Theatre offering me a role in Barefoot in the Park. The Auditions were last weekend and I has assumed I did not get a role. The part I auditioned for and which I knew I did not get was for the older eccentric neighbor. The part I was offered, and accepted, was for the TELEPHONE REPAIRMAN. It is a paid role and my first role at a Professional Non-Equity theatre. All I have done before now have been in Community Theatres.