Death of Arsenic

Well, not really, just the end of the run. It was a good run for me. I mean I did not have to audition or go to rehearsals. Just show up and do it. OK, well it was a small part and I was a fill in for the actor who left.

What I also missed out on, was the camaraderie that is developed over those weeks of rehearsals. It was a great cast and I did get to know them a little. But before a performance, the cast is usually getting ready and there is some but not a lot of interaction.

Well, experience gained, contacts made and another notch on my resume.

Arsenic Weekend

Last Tuesday evening, I received the script for Arsenic And Old Lace. On Wednesday evening, while The Man Who Came To Dinner was rehearsing, the director of Arsenic, Patrick Schambach, and I went over the blocking for the scenes I would be in.

On Friday evening, the night I will be in the play, with just 3 days of leaning lines, 1 evening with blocking with the director only, no cast, I was in my truck parked outside the theatre and going over my lines again. I did this by holding a sheet of paper over my lines and recite them as I read through the script. I get to my first little monologue and my mind goes completely blank. My third line into the scene and I have no idea what it is. Needless to say I had a small panic attack, right there in the truck.

About 20 minutes later, cast call being at 6:30, the cast of Arsenic went over the two of the scenes I would be in; three times for the first scene and once for the second. That was it. That was all the rehearsal I would be getting. Time now for the real thing.

Needless to say, I was a little nervous. Friday evening went well enough despite my rearranging words in sentences and when two actors jumped ahead of one of my lines, which I had to get in and did appropriately. Saturday was better. I knew what the timing should be and how the other actors were going to do their bit, etc.

That, I think, is the most difficult bit. Not having had rehearsals with the other cast for weeks before the show, I did not know how they were going to react, behave, move … the little nuances. Leaning lines and blocking (where to stand and move) really is just a very small part of a play. It’s everything else and THAT is the hard part.

Just 5 more shows over the next two weekends.

Class Act Theatre
June 3 – July 3, 2005
Fridays and Saturdays @ 8:00 p.m.
One Sunday Matinee only on July 3 @ 3:00 p.m.
TICKETS: $18.00 adults, $15.00 students & seniors (Group rates available for reservations of 10 or more). For ticket purchase/information, please call 770-579-3156

Last Minute Role Accepted

At rehearsal last night for The Man Who Came To Dinner, I was asked if I would be interested in having a part in Class Act Theatre’s current production of Arsenic And Old Lace by Joseph Kesselring. The part is for a police officer named KLEIN. Apparently the original actor had to drop out a week before opening and the current actor dropped out after this past weekend.

The role is not very large. KLEIN and BROPHY (his partner) are in the first act and act somewhat as narrators, providing some of the background for the play. They are not seen again until the third act when the mystery is close to being solved.

I accepted the role. It is now Wednesday and I have until Friday to learn all the lines and blocking.

Arsenic And Old Lace runs for 3 more weekends, 7 shows.

June 3 – July 3, 2005
Fridays and Saturdays @ 8:00 p.m.
One Sunday Matinee only on July 3 @ 3:00 p.m.
TICKETS: $18.00 adults, $15.00 students & seniors (Group rates available for reservations of 10 or more). For ticket purchase/information, please call 770-579-3156